Written By Sabbatha Ashvale
THE HARBINGERS
Some tours feel like entertainment. This one feels like a warning. Five women step onto the same bill and suddenly the air pressure changes.
Voices sharpen, amps snarl, and the future of metal tilts on its axis. Call them icons, innovators, disruptors… it doesn’t matter. What they really are is omens.
Amy Lee, the timeless phantom glow that refuses to dim.
Courtney LaPlante, the shape-shifter bending metalcore into something unclassifiable.
Poppy, the glitch prophet who dismantles genre rules for breakfast.
K. Flay, the rising force carving her name into alt-metal’s next mutation.
And The Nova Twins, two gravitational bodies of bass and fire rewriting the physics of punk-metal.
Together, they’re not just touring, they’re heralding what comes next. This week, we honor the women whose sound doesn’t just move the needle… it drags the entire genre into a new epoch.
These are The Harbingers.
Brace yourself.
Amy Lee . Courtney LaPlante . Poppy K.Flay . Nova Twins
A Rip in Time: Women in Metal. A Metal Lair Original Series
A Rip in Time: Nova Twins
Moment: “Athena”
Athena is a song thats calling in the old gods to bless the new wave. It’s thematic, mythic and clean. It’s a woman stepping fully into her own myth. A name tied to strategy, warcraft, intelligence, defiance. A feminist symbol that doesn’t need to scream; it just is.
Deep Cut: “A Dark Place for Somewhere Beautiful”
A quiet bruiser buried in their discography, this track shows the Twins without the swagger armor, melodic and vulnerable but still sharpened by that industrial pulse. It’s a reminder that their power isn’t just volume; it’s vision. A song that lets girls see the architects behind the amplifiers.
Why This One:
Nova Twins aren’t just changing the sound of heavy music, they’re changing the center of gravity.
Everything they touch feels like a challenge to a system that never planned for women like them to take up space, let alone dominate it. Athena is the moment they stop asking whether they belong in the genre and start rewriting its mythology from the inside.
The deep cut, A Dark Place for Somewhere Beautiful, shows why they matter: they’re architects, not guests.
Their rage has intention. Their vulnerability has architecture. And every girl watching them learns the same lesson, you don’t wait for permission to build a new world. You pick up the tools and start.
A Rip in time: K. flay
Moment: “Blood in The Cut”
isn’t just a song, it’s a pivot point. It’s the exact moment K.Flay stopped being “alternative”and started being dangerous. This song is raw and jagged. It’s the sound of a woman clawing her way out of the version of herself the world kept trying to put in a box.
Deep Cut: “This Baby Don’t Cry”
It didn’t chart like her big singles, but this is her manifesto in miniature, messy survival, gallows humor, and a refusal to sanitize anything to make other people more comfortable. It’s the blueprint of the woman who would one day stand beside Amy Lee and spit lightning without blinking.
Why This One:
K.Flay is the kind of artist who arrives indirectly. Sideways, scrappy, and stubborn and by the time anyone realizes what she’s doing, she’s already transformed the room.
Blood in the Cut is the rupture point, the moment she tears through the alt scene façade and reveals the woman underneath as raw, self possessed and unwilling to shrink to fit anyone’s comfort.
The deep cut, This Baby Don’t Cry, shows exactly why she belongs here. She writes from the messy middle. The place where fear, humor, anger, and survival all grab the mic at once.
She’s not pretending to be invincible, she’s proving that broken and brilliant can occupy the same body. And that honesty makes her louder than distortion ever could.
A Rip in time: Poppy
Moment: “Her”
The song Her is feminist without preaching, confrontational without chaos-for-chaos’ sake. It’s the track where she’s not just breaking out, she’s calling out the system that tried to box her in. It’s about women refusing the confines built for them and making their own mythology.
Deep Cut: “Sit / Stay”
Often overshadowed by the bombast of her heavier singles, this song is a masterclass in control. The slow corruption of a command, the reclaiming of a role meant to diminish her. It’s Poppy at her most eerily self-possessed, rewriting obedience into dominance.
Why This one:
Poppy is the glitch in the simulation, the one who reveals how fragile the genre’s boundaries always were.
HER is not her most famous song, but it’s the one where she stops playing the doll and starts breaking the hand that moved her.
It’s feminist fury coded as electronic ritual. And the deep cut, Sit / Stay, shows why she matters.
She exposes every expectation placed on women in heavy music by distorting it until it loses shape. Poppy refuses to be predictable, palatable, or pinned down.
She’s the reminder to every girl watching that you don’t have to become a version of yourself that men understand, you can build a version they fear.
A Rip in time: Courtney LaPlante
Moment: “Constance”
The song where she steps out of the cyclone and shows the world that heaviness isn’t just distortion, it’s devotion. A tribute to her grandmother that became a universal anthem for every girl raised by women who fought quiet wars.
Deep Cut: “The Mara Effect, Pt. 3”
Buried deep in the original Spiritbox EP trilogy, this is Courtney before the viral explosion. Spectral, patient, and terrifyingly precise. You can hear the early architecture of the woman who would one day redefine modern metal vocals. It’s the seed of the storm.
Why This one:
Courtney LaPlante is the voice of modern metal’s emotional intelligence. The rare artist who can make devastation feel like transcendence. Constance is the moment she lets the world see the ache beneath the architecture: grief, legacy, memory and the women who raised her.
And the deep cut, The Mara Effect Pt. 3, shows how long she’s been carrying that depth.
Before the viral hits and festival headlines, she was already building songs like haunted cathedrals that were deliberate, spectral, and devastatingly human.
Courtney matters because she doesn’t treat heaviness as a performance. She treats it as a language. And she teaches every girl listening that vulnerability doesn’t weaken metal, it strengthens it.
A Rip in time: Amy Lee
Moment: “Use Your Voice”
Use Your Voice isn’t an anthem, it’s a declaration. This is Amy Lee stepping out from behind the piano and singing with the weight of every woman who’s ever been talked over, minimized, or rewritten by someone else’s narrative. The song isn’t just about speaking, it’s about refusing silence, refusing softness as obligation, refusing to let the world decide what your volume should be. It’s the moment where Amy stops asking to be heard and starts demanding it. Niot for herself alone, but for everyone who learned their strength by watching her stand her ground.
Deep Cut: “The Only One”
Hidden on The Open Door, this track is pure Amy: layered, gothic, bitterly honest, and quietly furious. It’s her voice reclaiming itself long before the world realized how much she’d been holding back. A rare glimpse of the feminist spine that would eventually lead to Use Your Voice.
Why This One:
Amy Lee didn’t just open a door for women in heavy music, she held it, braced it, and told the next wave to walk through it louder than she ever could.
Amy’s music is the proof of that evolution. A woman who has already survived the industry’s worst and deciding she will no longer apologize for taking up space.
It’s not nostalgia, it’s reclamation. The sound of an artist choosing power over politeness. And you can hear the ripple of that choice in the women who rose after her.
When Amy later joined forces with Courtney LaPlante and Poppy on End of You, it didn’t feel like a gimmick, it felt like a coronation. Three eras of heavy music converging because Amy used her voice first and never stopped.
Oh by the way… these women don’t just exist alongside each other. They build worlds together.
A Final Note: The Alliances
Before they leave the stage of this week’s Rip in Time, there’s two more sparks worth naming:
Amy Lee and K.Flay’s collaboration “Fight Like a Girl.”
A cross era collision, a battle cry disguised as a duet, a reminder that the women reshaping metal don’t just stand alone, they stand together.
One last ember before the stage goes dark:
Amy Lee, Courtney LaPlante, and Poppy forged a track together.
“End of You.”
“End of You” wasn’t just a crossover, it was a quiet supernova. But the kicker? Even with millions of views, the vast majority of listeners don’t know the significance of that crossover.
They don’t realize it’s three of the most influential women in modern heavy music braiding their voices into one invocation.
Amy Lee’s timeless ache, Courtney LaPlante’s spectral precision and Poppy’s sharp defiance. Three distinct universes collapsing into one gravitational field.
It wasn’t marketed as a feminist moment, but that’s exactly why it matters. No theatrics. No banner. Just women building a world together in plain sight.
In a genre that still treats women like rare sightings, this track is proof they don’t need permission to form their own constellations, they just do it, and the cosmos bends around them.”
Three voices, three eras, one exorcism. It’s the sound of women tearing down the version of themselves the world tried to script…and choosing what rises from the ashes.
Mic-Drop……
Missed last weeks A Rip in Time: Women in Metal? Find it here.
FAQ – A RIP IN TIME: WOMEN IN METAL
Q: What is A Rip in Time: Women in Metal?
A Rip in Time is Metal Lair’s ongoing tribute to the women who’ve reshaped heavy music. Each installment spotlights a groundbreaking artist who challenged the genre’s boundaries from vocal ferocity to creative evolution, showing that metal’s history isn’t just told through distortion, but through defiance.
Q: What makes this series different?
It’s not a checklist of “women in metal.” It’s a time-ripping journey through eras, sounds, and revolutions. Each feature dives into how these artists rewrote their own rules, their riffs, their philosophies, their fire.
Q: Who’s been featured so far?
Each chapter covers a distinct voice in metal’s lineage. Figures like Doro Pesch, Floor Jansen, Angela Gossow, Sabina Classen, and Tatiana Shmailyuk and more. With more icons and unsung heroes to come.
Q: How often does the series update?
A Rip in Time appears periodically throughout the year as new chapters are researched and written. It’s designed to evolve, not just repeat.
Q: Does Metal Lair have other series like this?
Yes! Metal Lair runs several signature series that explore every corner of heavy music:
- Seven Deadly Songs – A weekly roundup of the most unholy new releases.
- Deep Cuts – Hidden gems and lost recordings from rock and metal history.
- Metalhead Horoscopes – Weekly forecasts laced with riffs, attitude, and a lucky song for every sign.
- World Metal Weekly – A global passport through the underground, one country at a time.
ABOUT THE AUTHOR
Sabbatha Ashvale is Metal Lair’s resident wildfire in eyeliner. A music journalist and storyteller who writes like she’s swinging a torch through the catacombs of heavy music. She’s equal parts historian and shit-stirrer. Her work focuses on artistry, history, and the often overlooked creators who define metal’s evolving future. She brings depth, grit, and a razor sharp perspective to every piece she writes.